A private residence between memories and cultures 

Private residence, Milan
2023   

NOMASS_ARCHITECTURE_INTERIOR DESIGN_NADIA VLASOPOULOU_STUDIO DI ARCHITETTURA

Henri Fantin-Latour once wrote: “People are painted like flowers in a vase… but what about interiority? The soul is like music playing behind the veil of flesh. It cannot be painted, but it can be made to be felt.”

NOMASS_ARCHITECTURE_INTERIOR DESIGN_NADIA VLASOPOULOU_STUDIO DI ARCHITETTURA
NOMASS_ARCHITECTURE_INTERIOR DESIGN_NADIA VLASOPOULOU_STUDIO DI ARCHITETTURA
NOMASS_ARCHITECTURE_INTERIOR DESIGN_NADIA VLASOPOULOU_LIVING_ARTE_COLORE_ARREDAMENTO_STUDIO DI ARCHITETTURA

Revealing and “making felt” the soul of the homeowners — starting from memories and roots — became the starting point of the project.

Art lovers with a shared passion for the aesthetics of the 1960s, the owners envisioned a space capable of reflecting both their passions and their personal histories: he grew up in Venice, she in Morocco, now united in Milan.

The apartment required a narrative that could match the richness of their identities. Through the exploration of shared references and cultural differences, a hybrid and coherent language was developed, capable of representing both personalities.

 

NOMASS_ARCHITECTURE_INTERIOR DESIGN_NADIA VLASOPOULOU_STUDIO DI ARCHITETTURA
NOMASS_ARCHITECTURE_INTERIOR DESIGN_NADIA VLASOPOULOU_STUDIO DI ARCHITETTURA

Targeted layout interventions improved spatial flow, while the fusion of classical architectural elements with a sophisticated and vibrant palette defined a contemporary atmosphere. Colour becomes a structural element, in dialogue with art, craftsmanship and design. The furnishings emerge from a métissage of objets trouvés, private collection artworks and antiques, composing an intimate narrative of the owners’ identities. Craftsmanship appears throughout the space: from the painted iron glass partition to the calcite azul backsplash, from the Moroccan-inspired vanity to blown glass lamps and mirrors. The result is a space that does not replicate styles, but translates personal histories into a unique, intimate and deeply authentic language.